{"filter":"\n Photography <\/a>\n \n Volkswagen <\/a>\n \n Clock <\/a>\n \n Time <\/a>\n \n Camera <\/a>\n \n Radio <\/a>\n \n Legacy <\/a>\n \n Automotive <\/a>\n \n Car <\/a>\n \n Video <\/a>","articles":"
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\r\n \r\n Camera Legend <\/a>\r\n <\/h3>\r\n \r\n
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Bernbach\u2019s artistic approach to print advertising was innovative, and he understood that advertising didn\u2019t sell products. The strategy was to keep customers by creating and nurturing them as<\/p>... <\/div>\r\n \r\n \r\n \r\n \r\n \r\n\r\n <\/div>\r\n

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\r\n \r\n Radio Legend <\/a>\r\n <\/h3>\r\n \r\n
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\r\n <\/i>\r\n Saturday, 27 April 2019 <\/div>\r\n \r\n \r\n \r\n \r\n
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In 1949, William Bernbach, along with colleagues, Ned Doyle and Maxwell Dane, formed Doyle Dane Bernbach (DDB). Bernbach\u2019s artistic approach to print advertising was innovative, and he understood<\/p>... <\/div>\r\n \r\n \r\n \r\n \r\n \r\n\r\n <\/div>\r\n

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\r\n \r\n \"Radio\r\n <\/a>\r\n<\/div><\/div>\r\n <\/div>\r\n <\/div>\r\n<\/div>\r\n\r\n
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\r\n \r\n Polaroid Camera <\/a>\r\n <\/h3>\r\n \r\n
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He took the simple, straightforward layouts of agency principal David Ogilvy of Ogilvy and Mather and adapted them for Volkswagen. Krone\u2019s repeated use of black-and-white, largely unretouched<\/p>... <\/div>\r\n \r\n \r\n \r\n \r\n \r\n\r\n <\/div>\r\n

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\r\n \r\n Vintage Video <\/a>\r\n <\/h3>\r\n \r\n
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Bernbach\u2019s team of \u201cagency creatives\u201d was headed by Bob Gage, who hired Helmut Krone, as an art director in 1954. Krone owned a Volkswagen before the agency pitched for the account. Krone,<\/p>... <\/div>\r\n \r\n \r\n \r\n \r\n \r\n\r\n <\/div>\r\n

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\r\n \r\n Old Volkswagen <\/a>\r\n <\/h3>\r\n \r\n
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Bernbach\u2019s team of \u201cagency creatives\u201d was headed by Bob Gage, who hired Helmut Krone, as an art director in 1954. Krone owned a Volkswagen before the agency pitched for the account. Krone,<\/p>... <\/div>\r\n \r\n \r\n \r\n \r\n \r\n\r\n <\/div>\r\n

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\r\n \r\n Legacy Radio <\/a>\r\n <\/h3>\r\n \r\n
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\r\n <\/i>\r\n Saturday, 27 April 2019 <\/div>\r\n \r\n \r\n \r\n \r\n
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Bernbach\u2019s artistic approach to print advertising was innovative, and he understood that advertising didn\u2019t sell products. The strategy was to keep customers by creating and nurturing them as<\/p>... <\/div>\r\n \r\n \r\n \r\n \r\n \r\n\r\n <\/div>\r\n

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\r\n \r\n Memory Camera <\/a>\r\n <\/h3>\r\n \r\n
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Bernbach\u2019s artistic approach to print advertising was innovative, and he understood that advertising didn\u2019t sell products. The strategy was to keep customers by creating and nurturing them as<\/p>... <\/div>\r\n \r\n \r\n \r\n \r\n \r\n\r\n <\/div>\r\n

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\r\n \r\n Save your time <\/a>\r\n <\/h3>\r\n \r\n
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\r\n <\/i>\r\n Saturday, 27 April 2019 <\/div>\r\n \r\n \r\n \r\n \r\n
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In 1949, William Bernbach, along with colleagues, Ned Doyle and Maxwell Dane, formed Doyle Dane Bernbach (DDB). Bernbach\u2019s artistic approach to print advertising was innovative, and he understood<\/p>... <\/div>\r\n \r\n \r\n \r\n \r\n \r\n\r\n <\/div>\r\n

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\r\n \r\n Old Photos <\/a>\r\n <\/h3>\r\n \r\n
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Bernbach\u2019s artistic approach to print advertising was innovative, and he understood that advertising didn\u2019t sell products. The strategy was to keep customers by creating and nurturing them as<\/p>... <\/div>\r\n \r\n \r\n \r\n \r\n \r\n\r\n <\/div>\r\n